Hauser & Wirth Monaco’s exhibition will be the first time Chamberlain’s poetry will be shown publicly, illuminating a sensitive and little-known aspect of his practice produced at Black Mountain College in the 1950s. This interlude had a profound impact on the artist—he would later state, ‘My teachers were Kline, de Kooning, Charles Olson.’ Chamberlain would later become known for the creativity and poetry of his titles, which, like his sculptures, were assembled based on ‘fit’. He wrote words on cards, trying different combinations to create beautiful compositions.