Still in shock from losing his father two months earlier, 19-year-old Hamm cannot bear the thought that his mother has already dared to introduce him to the man she wants to remarry. Barricaded in this room, which he no longer wants to leave, he must exorcise his grief by acting. But, by definition, the one who acts is indeed the actor. Thus, using everything around him: guitar, punching bag, puppets inherited from his father, and transforming the furniture in his room into an inventive scenography, Hamm will play all the characters in the plot, of which he also feels a victim. His world becomes a kingdom where fiction and reality collide: he is Hamlet and the theater becomes a means of resilience for his youth lacking reference points.